Star Wars Lives!

TFA - Spoiler warning

That SW talk here is so good, beginning with LHoffmans review, I cant resist adding my two space credits. Although there is, likely, some repetition.

Rey: Clearly the best thing in the film, agree there, feels Star Wars. Most intriguing aspect of the movie is her background. Is it the eternal (and too some, tiresome) theme of how the Skywalker family is tied to the Galaxys fate, or is it something new entirely as there is a huge galaxy to play with? I prefer oc that Mara Jade is her mom :)
She cant remember Han and Leia, maybe a gentle memory force-wipe from her mom or Luke to protect her. But Han and Leia, in their turn, also dont seem to remember her. We will have to see.

Fin: Too many goofy lines. Clearly has storm trooper melee training, but can handle Kylo with a lightsaber? And why do they have anti-force weapons? To ward off force pikes?

Kylo: As to why he wears a mask, LHoffman? Because he wants to emulate Darth Vader in all things. There is an interesting interpretation of “I will finish what you started”, namely destroying the Empire once and for all, which Vader started by disposing of Palpatine. I think we can dismiss this, though.
A lot of people interprete a conflict within Kylo, especially after his scene with Han (can I spoiler at this time? Better add a warning).I am afraid I never saw one, to me it was always clear that he will kill him, and rather gladly so. The whole scene was unworthy, I agree, not becaused Han dies but how, and which grave he got, and what for. And it was bad acting imho.
As for redeeming him, I cant see that and him surviving. I bet heavily on yet another reiteration of redemption by sacrifice like Vader (I just hope it has nothing to do to please certain religious faiths), because coming back as murderer of a father, civilians, torturer and stuff and happily live ever after (in a supposedly just New Republic) is hard to imagine. They wont jail him.

Han: Also agree, overall looked tired and unwilling to play it out. After so many years he now tries the bowcaster for the first time? You gotta be kidding me. Cheap line, thats all.

Leia: Liked her. Also in the command center good to see that Ackbar doesnt age, and neither does Nunb. I wish those guys would have gotten more screen time.

Snoke: Second most intriguing thing for me. The Darth Plaguies theory has a lot of merit (I am sure you all read about it, similar music theme, similarity to the cover of the DP book), he wants to complete Kylos training….however, as much as I’d love to see him cheating Palpatine, faking his own death (he managed to get into the secret of cheating death, after all), there is one interesting thing in the novelization (a disappointment, btw): Leia told Han that Snoke has always been there since Bens birth, first watching from the shadows, then starting to tempt Ben away from the light side. True to form, she never told Han in case he would worry…doesnt sound like Leia, more like, well, the new authors. In any case this guy has been along for some time and unless he can totally hide his force náture, I cant see how he has not been detected by Luke (even if Luke is not the most trained Jedi). But maybe he hid from Yoda, Mace, Obi later on etc in Palpatines force shadow.

Interesting thing about the military, Zhukov! I thought the same, but there are a few points worth mentioning. The new Resurgent class Star Destroyer is bigger and, we can assume, better. No A, B, E wings, no Interceptors and stuff, disappointing, but neither the Resistance nor the First order are the legimitate forces. For the resistance, all they might want (and get/afford) are X-wings, and it at least is a new model, manouverability is improved (can be seen with the new X-wings from FFG). Maybe they chose not to get into B-wings, as that would need more resources etc. My take is that the Resistance is a kind of unofficial guerilla force of the New Republic, would be too conspicuous to supply them with top notch equipment. Same is true for the First Order, the new Ties are improved, have shields I think. Oc my theory totally fails here because they are apparently rich enough to suck out suns now. That, but no Tie Interceptors? And if the assumedly powerful leader Snoke is not the leader of the Empire itself, do they have a puppet leader? This all is not explained, nothing really fits, this is my point about the smalles denominator to get as many people into paying for a seat.
Emotionally, I totally agree with you, it hurt to see nothing but X-wings and Ties. Not to speak of not seeing any capital ship other than the one SD.

Phasma is almost an epic failure. I dont mind if male or female (more females will benefit SW anyway), but to the extent they marketed her you think they made her like she is just for that. Its a nice Lego minifig, my kid likes her. When she then is put to the test, she meekly follows orders, takes down the shields. Hell, thats the radical faction of the Empire?? Not even fighting for the cause? I cant remember now, did she survive, was it shown? If she died, she could at least have died for the cause. Or maybe Fins behavious isnt so atypical for the First Order, after all?

I forced myself to read some books, Aftermath was depressing really. Again, almost nothing in it to please the fan of the SW environment (sorry, I am not caught by X-wing stunts like Poes). Yes, Mon Mothma envisaged that at some point the military will have to be cut down to local forces, but have we seen something about that? Just that the fleet, or half of it, has been wiped out (FO was apparently successfull in hiding a weapon of this extent so that a huge junk of the NR fleet presented a nice target).

The other book was good, at least the political part, where some Moffs and bigwigs tried to decide what to do after Palpatine. Intriguing when the competent female captain gets back to her mysterious superior, reporting. This must have been before the FO, or was it Snoke already, still Imperial? or is it, as many hope, Thrawn. Things point there, even for now he is dead canon.

The best book, as it was a good summary of all events since Tarkin, wsa Lost Stars (I think). Dont be dismayed by the young adult classification. Yes, there is the romance thing, it was actually good, and yes, there was the conflict between what is good (Rebel) and bad (Empire), but the take was interesting and all too realistic.

Overall, I cant bring myself to think of the movie as good or enjoyable, but there is hope (also ebcause of Luke) that we finally get new things, not endless reiteration.

Pls point out any mistakes (apart from personal opinion), just watched once.

I saw The Force Awakens yesterday evening. I thought my wife would want to go as she loved the first three films. I deliberately did not read the reviews by Hoff and others above before going to see it, so that I could make up my own mind.

I have previously seen the first and second films but never really enjoyed them and did not make film three. My wife dragged me to the first film of the second trilogy, which neither of us enjoyed.

My own view is that this one is the best of all the Star Wars films I have seen. It works as well as the others as simple sci fi action fare. Good special effects. As many thrills and explosions as you could want. It triumphs over the others in that the characters are a little more developed and not quite so cardboard thin. As I remember it, of the four main characters in the first film only Luke Skywalker’s character was developed in any way at all - but he was played by Mark Hamill! I found it impossible to care what happened to any of them. In this one all three new key characters had some back story that made them a little more interesting. I found the baddie in particular far more worthwhile than Darth Vader. An attempt is even made to give Hans Solo a human story.

Unfortunately the plot was standard Star Wars. So being the best of a poor bunch does not a great movie make. But when I am dragged to the next one I will at least enter the theatre with a smile on my face!

And Star War fans will be pleased to hear that my wife believed it to be “true to the spirit of the originals”.

I’m forty four years old, and watched Star Wars at a drive in when I was seven. Pure magic - nothing can ever compare. But that was mostly because I was seven, and nothing like it had never been done. A potent combination, for an entire generation.

I enjoyed The Force Awakens on my first watch, but I left with an unsettled feeling - it didn’t satisfy me. Plot holes, plot rehashings, strange nostalgia trips, was that a good choice for Kylo Ren? etc… But nothing prepared me for the second viewing - I loved it three times as much, and had tears running down my cheeks for parts of it. Why? Two realizations:

• I was unfettered from my own unrealistic expectations.

• When I was seven, I didn’t give a s&*t about the stuff I do now.

Now, we (myself very much included) tend to confuse gritty realism with great storytelling. Sometimes we need a simple hero’s journey. The problem was me, not the movie. My ten year old daughter loved it. My advice is to go in with a child’s eye and let it be magical again.

@Stalingradski:

• I was unfettered from my own unrealistic expectations.

• When I was seven, I didn’t give a s&*t about the stuff I do now.

Now, we (myself very much included) tend to confuse gritty realism with great storytelling. Sometimes we need a simple hero’s journey. The problem was me, not the movie. My ten year old daughter loved it. My advice is to go in with a child’s eye and let it be magical again.

I think this is great advice… easier said than done perhaps. Obviously, young-ish kids who haven’t lived with Star Wars for 20, 30 or approaching 40 years and who don’t have a critical eye will love this film. They don’t need to pretend that it is good; for them it is that good.

I might be able to sit back one time and enjoy TFA for what it is, that may be my second viewing, whenever that happens. However, I don’t know that it is sustainable to remain in a state of self-imposed denial wearing the rosy glasses. I am not implying that you believe this, just putting it forth as a general statement. I don’t force myself to like other films that I think are sub-par and I find no reason to do that with TFA just because it is Star Wars.

In general I agree with you. Sometimes as fanboys or adults we get pretty jaded and that isn’t how Star Wars should be completely judged. However two places I disagree or would point out (what is for me at least) the real issue at hand:

Now, we (myself very much included) tend to confuse gritty realism with great storytelling. Sometimes we need a simple hero’s journey.

First, I would not expect gritty realism from Star Wars to begin with, however, I would expect “great [or at least [i]good] storytelling”. The good storytelling was what was absent from the film. Again, as a child, you may not notice at all, but as an adult you cannot help but see how the same story has been done multiple times previously. For me, the story is the best part of Star Wars and it was the most flubbed aspect of TFA. You can re-do Campbell’s Heroic Journey many times over and not have it get stale, you just need to vary the surrounding material. TFA didn’t even attempt to do that. Maybe it worked for some people, but obviously it didn’t for me. There were moments that hit the magical button for me, but those few instances don’t make up for the whole, much as I would like them to.

I’m with gradski -
I think there is so much criticism for anything Star Wars that isn’t Episode IV or V because everyone was awestruck (and very young) at the time.  All the hate for the Ewoks through Kylo Ren, from my perspective, is due to this.  Episodes IV and V are horribly flawed when you use the same measuring stick that is being used against all of their successors.  I think they’re ALL great - I get exactly what I want from all 7 of the movies.  This will make some of you gag and choke, but I would be hard pressed to pick my favorite and least favorite of the 7.  I’m apparently not looking for the same things as you.  And maybe it’s because I didn’t go to any PG or above movies until I was like 15.  But I did see Episode IV in school in like 2nd grade, when our Principal piped it into every classroom for Christmas.  (Circa 1982)

@Gamerman01:

But I did see Episode IV in school in like 2nd grade, when our Principal piped it into every classroom for Christmas.  (Circa 1982)

But some of the kids in my school were bragging about having seen Star Wars like 6 times in the theaters when we were in 1st grade.
It’s pretty simple.  For a lot of people like those kids, the original 1, 2, or 3 movies are cult classics that can never be matched or exceeded.  So when Episode VII comes along and (even I gagged and choked some) keeps copying episode IV, the hate rushes through the pores of all these 40+ year old fanboys.  They are very susceptible to the dark side….

Episode IV didn’t explain anything about how we had come to this point.  In Episode V everyone was shocked to find out Darth Vader was Luke’s father.  So when you criticize episode VII for not telling you how you got here, well, wasn’t Episode IV just as guilty?!  If Episode VII was the first to come out in 1976 and now Episode IV came out in 2015, I bet Episode IV would be getting ripped the same way VII is now.  You know, if you flipped the film making technology and stuff too….

I think perhaps the best way to approach the Star Wars films is to see them as belonging to three related but distinct trilogies rather than as one single series of films.  Episodes IV, V and VI reflect a particular set of movie-making principles, and are very consistent with each other in this regard.  Episodes I, II and III are likewise very consistent with each other in terms of the cinematic principles by which they were made, but those principles are very different from those that were used in the original trilogy, which is why the original trilogy and the prequel trilogy look so dissonant when you put them next to each other.  And my guess is that we’ll see the same thing in the sequel trilogy: Episodes VII, VIII and IX will probably hang together very well in terms of how they’re made, but will probably look as much out of step with the other two trilogies as the two other trilogies look relative to each other.  In other words, we’re seeing the same phenomenon that can be seen when you put the Lord of the Rings movie original trilogy next to the Hobbit movie prequel trilogy, which are vastly different from each other in terms of their cinematic and literary-adaptation philosophy even though they were by the same director over a much shorter period of time than the Star Wars saga.

@Gamerman01:

But I did see Episode IV in school in like 2nd grade, when our Principal piped it into every classroom for Christmas.� (Circa 1982)

Damn… that must have been great. What an awesome principal.

@Gamerman01:

For a lot of people like those kids, the original 1, 2, or 3 movies are cult classics that can never be matched or exceeded.

This is the real heart of the problem. I read an article about this recently: people will forever compare any new Star Wars to their first experience with the original. It is a hopeless comparison because their first impressions had a quality wrapped in time which can never be, as you said, matched or exceeded. In that respect, comparisons and critiques are doomed to a certain judgement of inferiority.

@Gamerman01:

Episode IV didn’t explain anything about how we had come to this point. �In Episode V everyone was shocked to find out Darth Vader was Luke’s father. �So when you criticize episode VII for not telling you how you got here, well, wasn’t Episode IV just as guilty?! �If Episode VII was the first to come out in 1976 and now Episode IV came out in 2015, I bet Episode IV would be getting ripped the same way VII is now.� You know, if you flipped the film making technology and stuff too….

I don’t know that I quite agree here. Episode IV had the benefit, so-to-speak, of being the first installment of something completely new. As with any completely new story, especially a fantasy one, backstory is not heavily questioned. At least, a detailed backstory isn’t necessary. As an audience member you are really only concerned with the plot at hand. Any vague references to the framework of the universe it is set in generally suffice for the audience to just accept things. Obi-Wan’s little monologue in Ep. IV about the Jedi, Republic and Clone Wars was enough to establish, as Tolkien would say, “splendor from the vast backcloths”.

I suppose an analogous scene from TFA would be Han’s little “It’s all true” speech. However, in my opinion, Harrison Ford’s lines lack the weight of Alec Guinness’. Partially because we have all seen Ep IV already and partially because Han’s is more a starry eyed reverie than Obi-Wan’s almost sad reference to specific, grand events.

Speaking theoretically, The Force Awakens could not have been released (as it stands) as the first installment in a franchise. There is too much material in the film which directly references or is predicated on understanding of the universe established in Ep IV-VI. The Force Awakens would be watchable if it was the only Star Wars you had ever seen, but you would be missing out on the significance in many events.

I think the only way people would question the origins of A New Hope (were it released today as a prequel to The Force Awakens) is because they would feel like they were caught in some sort of crazy time loop. A New Hope is essentially the same movie as The Force Awakens… the prequel is the sequel. It is kind of mind bending, like chicken and the egg scenario. That is how bad the story rip-off is.

@LHoffman:

I don’t know that I quite agree here. Episode IV had the benefit, so-to-speak, of being the first installment of something completely new. As with any completely new story, especially a fantasy one, backstory is not heavily questioned. At least, a detailed backstory isn’t necessary. As an audience member you are really only concerned with the plot at hand. Any vague references to the framework of the universe it is set in generally suffice for the audience to just accept things.

Another advantage it had over all the other films (or, to put it differently, a distinct feature it had which never applied to any of the other films) is that it could have stood entirely on its own, as a satisfactory self-contained film.  Folks like me who saw it first run will recall that it was originally titled simply Star Wars, with no episode number or episode subtitle.  And when the movie ended, with the good guys celebrating their incredible victory over the bad guys, I for one felt that the story had been wrapped up neatly and I left the theatre feeling completely satisfied.  Yes, Darth Vader does escape near the end of the film, but overall the film simply leaves itself room to create a sequel rather than creating a situation in which it demands one (which is how The Empire Strikes Back ends).  Once it was clear that the original movie was a colossal hit, however, the next film turned the original movie into the first installment of a saga that would not only extend forward from it (because Empire ends abruptly with several major plot points unresolved) but also backwards from it (because this second film was numbered Episode V rather than II, something which left me completely baffled when the opening crawl appeared on the screen).

@CWO:

(because this second film was numbered Episode V rather than II, something which left me completely baffled when the opening crawl appeared on the screen).

You were like “HEY!!  How did I not know about the other 3 movies?!”

Me too, Marc.
Loving everyone’s write ups.
I saw it last week. I liked it; of course, I could see the plot mirrored the original film. Was a fun watch, though. (Bear in mind, I only see one or two films a year.)

@CWO:

Another advantage it had over all the other films (or, to put it differently, a distinct feature it had which never applied to any of the other films) is that it could have stood entirely on its own, as a satisfactory self-contained film.� Folks like me who saw it first run will recall that it was originally titled simply Star Wars, with no episode number or episode subtitle.� And when the movie ended, with the good guys celebrating their incredible victory over the bad guys, I for one felt that the story had been wrapped up neatly and I left the theatre feeling completely satisfied.� Yes, Darth Vader does escape near the end of the film, but overall the film simply leaves itself room to create a sequel rather than creating a situation in which it demands one (which is how The Empire Strikes Back ends).� Once it was clear that the original movie was a colossal hit, however, the next film turned the original movie into the first installment of a saga that would not only extend forward from it (because Empire ends abruptly with several major plot points unresolved) but also backwards from it (because this second film was numbered Episode V rather than II, something which left me completely baffled when the opening crawl appeared on the screen).

Very true. I always like that about Ep IV; it was expertly crafted as a stand-alone film. I appreciate Raiders of the Lost Ark for much of the same reason. Granted the Indiana Jones films are still highly episodic; you could watch either Temple of Doom or Last Crusade without having seen Raiders. But Raiders was by far the best and is an amazing single film.

@Gamerman01:

@CWO:

(because this second film was numbered Episode V rather than II, something which left me completely baffled when the opening crawl appeared on the screen).

You were like “HEY!!  How did I not know about the other 3 movies?!”

:lol: :lol:  Ha! Is that what you guys thought in 1980?    That confused the heck out of me when I first watched Star Wars on video tape back in 1998. Granted I was only 8 years old…

@Gamerman01:

@CWO:

(because this second film was numbered Episode V rather than II, something which left me completely baffled when the opening crawl appeared on the screen).

You were like “HEY!!  How did I not know about the other 3 movies?!”

Precisely.  The movie opened with me going “Huh?” at the “Episode V” part and the movie ended with me going “Huh?” when the end credits abruptly appeared without the story being resolved.  It was a very puzzling experience, and to be honest I felt a lingering dissatisfaction with Empire for many years afterwards, even after Jedi came out and wrapped up the story.

I tended to think of it as the low point of a V-shaped trilogy.  It was only later, when I re-watched the three films on video, that I gradually cane to appreciate it more.  I admit that I still tend to fast-forward through the Dagobah sequences, which aren’t really to my taste, but the rest of the film is first-rate.  Just last evening, in fact, I re-watched the Battle of Hoth section of the film, which in my opinion is very successful from a cinematic point of view.  It features imaginative and awe-inspiring technology, i.e. the Imperial Walkers, and rapid, exciting action – but at the same time, it’s careful to keep the action clear and coherent. The editing is brisk, with some shots lasting only a couple of seconds, but even at the height of the action there’s never any doubt about what’s going on.  An excellent example is the sequence in which Luke runs under an AT-AT and destroys it single-handedly: the sequence comprises about half-a-dozen shots packed into twenty or thirty seconds, but it holds together perfectly and the rapid (but careful) editing creates high excitement without any confusion.  There’s even a one-second shot that shows Luke unclipping his climbing line after he’s tossed an explosive into the hull of the machine, and a barely-longer shot that shows him dropping to the ground: just enough to give you the required information to understand what happened, but without a moment of waste.  The longest part of the whole sequence – perhaps a whole ten seconds long – is the three-shot payoff that shows the AT-AT blowing up and keeling over to the ground and that gives the audience the opportunity to cheer (silently or otherwise) in triumph.  Contrast this with, let’s say, the battles in Revenge of the Sith, which seem to emphasize sensory overload and frenetic speed rather than coherence.

@CWO:

Precisely.  The movie opened with me going “Huh?” at the “Episode V” part and the movie ended with me going “Huh?” when the end credits abruptly appeared without the story being resolved.  It was a very puzzling experience, and to be honest I felt a lingering dissatisfaction with Empire for many years afterwards, even after Jedi came out and wrapped up the story.

Empire Strikes Back is considered the greatest Star Wars film precisely because of its darker/grittier tone, somewhat complex plot (for Star Wars) and franchise defining reveal/twist. When I was younger I couldn’t appreciate the more nuanced nature of the film, I recognized the action scenes mostly. Empire has some of the best and worst moments of Star Wars. I too still find the film’s pacing to be atrocious and choppy. It starts out with a bang and then very quickly becomes mired in a (literal) bog of boringness and exposition. Much of this exposition and character development is critical to the story and has its place, but that doesn’t change the fact that it is a total slog that is never really remedied. Even the Cloud City climax is somewhat ponderous and dark. Again, not totally bad, but it also seems to drag.

Reminds me of reading the Frodo and Sam portion of the Two Towers… You are in a maze or rocks and gullies, then a swamp, then a dark stairway, then a dark hole in the ground… It is a very boring drag, albeit with much important information.

@CWO:

I tended to think of it as the low point of a V-shaped trilogy.  It was only later, when I re-watched the three films on video, that I gradually cane to appreciate it more.  I admit that I still tend to fast-forward through the Dagobah sequences, which aren’t really to my taste, but the rest of the film is first-rate.  Just last evening, in fact, I re-watched the Battle of Hoth section of the film, which in my opinion is very successful from a cinematic point of view.  It features imaginative and awe-inspiring technology, i.e. the Imperial Walkers, and rapid, exciting action – but at the same time, it’s careful to keep the action clear and coherent. The editing is brisk, with some shots lasting only a couple of seconds, but even at the height of the action there’s never any doubt about what’s going on.  An excellent example is the sequence in which Luke runs under an AT-AT and destroys it single-handedly: the sequence comprises about half-a-dozen shots packed into twenty or thirty seconds, but it holds together perfectly and the rapid (but careful) editing creates high excitement without any confusion.  There’s even a one-second shot that shows Luke unclipping his climbing line after he’s tossed an explosive into the hull of the machine, and a barely-longer shot that shows him dropping to the ground: just enough to give you the required information to understand what happened, but without a moment of waste.  The longest part of the whole sequence – perhaps a whole ten seconds long – is the three-shot payoff that shows the AT-AT blowing up and keeling over to the ground and that gives the audience the opportunity to cheer (silently or otherwise) in triumph.  Contrast this with, let’s say, the battles in Revenge of the Sith, which seem to emphasize sensory overload and frenetic speed rather than coherence.

What you point out here echos yet another article I read last week: http://www.newyorker.com/culture/cultural-comment/the-george-awakens

It is a well written article, even though I disagree with calling Lucas a “Tolkien-level master” (at worldbuilding); there are few, if any who approach Tolkien. And for at least a couple reasons I could name offhand, Lucas is not one of those, good as he was.

Anyway, the main gist of the article points out that Lucas is far better as a film editor than a director. In fact, he has always considered himself more comfortable sitting in front of the cutting room TV than behind the camera directing. The writer says that this is evident in the woodenness of much dialogue and acting at many points in Ep I - VI.

@LHoffman:

The writer says that this is evident in the woodenness of much dialogue and acting at many points in Ep I - VI.

I once saw a screen test for the original Star Wars movie in which Harrison Ford and Mark Hammil were reading lines to each other.  The Luke character at one point is saying something about the Empire that (thankfully) never made it into the final film; I can’t remember exactly what it was, but it was some sort of remark about the shaky basis for the Empire’s power, and hence about its ultimate vulnerability.  The dialogue was incredibly leaden, clunky and convoluted.  Harrison Ford – perhaps in reference to that part of the script – once told George Lucas, “George, you can write this **** but you can’t get people to say it.”

Dagobah is a slog in many ways, but I enjoy the mysticism attached to Yoda’s teaching of the force, culminating in the chill-inducing X-wing scene. By contrast, almost every reference to the force in TFA feels contrived and weak, with too much emphasis on “light side” and “dark side” for convenient storytelling purposes.

@General:

Dagobah is a slog in many ways, but I enjoy the mysticism attached to Yoda’s teaching of the force, culminating in the chill-inducing X-wing scene. By contrast, almost every reference to the force in TFA feels contrived and weak, with too much emphasis on “light side” and “dark side” for convenient storytelling purposes.

I suppose that it could have been worse: the new movie might have referred to the “right side” and “wrong side” of the Force.  I cringe at the thought.

@Gamerman01:

the hate rushes through the pores of all these 40+ year old fanboys.  They are very susceptible to the dark side….

Hm, I am happy for my friends who like the movie, or find it entertaining. No need to call them xy fanboys myself because of that. Or can you not accept that people dont like what you like?

And for many people who are not happy about the new movie, I daresay its not because they revere IV, V or VI so much, but are likely to be a lot through the EU (expanded universe) and have more background, and therefore also more expectations and questions (not that all of EU has been good, the opposite really with some things imho, but much was; and it all was canon until recently, so no one could dismiss it, even if just going by the movies is certainly enough to love Star Wars). Now no way a movie can (or, nowadays, want to) fill those gaps, I appreciate that. Grudgingly. But I cant just blend out the possibilities and love it because its Star Wars and the whole earthball says “enjoy”. Compared to the gigantic promotion machinery, media coverage and people who like the movie, the few people Gamerman calls hateful 40+ fanboys should be easy to stomach. I think its the dark side to attack them personally as hateful while those people criticise the movie, not its fans; there might be some who condescend, sure, but most dont, I dont). I think when people with other movies or series call for more or point out whats not so good (everyone does, come on), they get a lot less fire for that. Because Star Wars creates passion (I see that in every game store nowadays when the movie is discussed), and that again ties both groups together, both feel subjectively and ardently for it in some way.

In any case, I feel that with this unparalleled merchandising and money making of every aspect, in every supermarket, they owe more substance. I know it likely wont happen, but there is hope still. It really cant be otherwise.

alexgreat, my personal devil’s advocate

Man, you misunderstand me on a regular basis  :lol:  Something’s lost in the culture differences