@CWO:
The 1970s Midway movie with Charlton Heston is one of my all-time favourites. It’s got some problematic aspects (primarily, in my opinion, the completely fictitious Math Garth / Tom Garth plot line), but it’s highly watchable (I’ve seen it dozens of times), it gives a good overview of what happened at Midway, and it has neat map tables with miniature ship and airplane markers (which I’ve always loved, and which explain why I was so happy when I discovered the Axis and Allies game line). Although it might not work from a current film-marketing point of view, my preference would be for a new Midway movie to be written and shot in the style of Tora, Tora, Tora, as a historical reconstruction without fictitious characters. Sadly, Tora, Tora, Tora wasn’t a huge success with the general viewing public, though it seems to have done well with history junkies like me.
I like Tora, Tora, Tora also, particularly because it feels very realistic and sweeping. However, it is long and not very well constructed in terms of an involving narrative. For those reasons, I don’t think making another epic war film (in the style of the 60s and 70s) will happen anytime soon. Saving Private Ryan and the other Playtone/HBO series are the closest thing to that in our time, but even they have very involved personal stories which were mostly absent in the classic films.
@CWO:
As you say, one major problem would be how to depict realistically the scenes on the carrier flight decks. The low point in cinema history in this regard has to be the cheaply-budgeted 1952 movie Flat Top (produced, ironically, by Midway’s Walter Mirisch), which opens with groan-inducing shots of Stirling Hayden standing in front of a rear-projection view of carrier deck stock footage with a prop railing as the only physically real set element. Perhaps the best approach today would be to use CGI, with a focus on creating a very realistic depiction of the relatively simple carriers that existed in WWII (rather than, by contrast, depiciting super-complicated Transformers hardware, which looks spectacular but fake on screen.)
Unless they want to build a gigantic mock-up of a Yorktown-class ship, or flight + bridge at least, then I guess the only solution is digital. The problem is that digital still looks fake, as you pointed out Marc, particularly in extended shots. (Watch the shots of the naval armadas in Letters from Iwo Jima and Flags of our Fathers, two recent examples from good war films) Given the types of sets that movie companies have financed in the past, constructing a 830 ft flight deck and island out of wood and steel seems like a reasonably cheap method.
I don’t want to lump Midway into this category but The Lord of the Rings had multiple, mind-blowing, real sets that were all hand built… way more complicated than building an aircraft carrier flight deck. Ben-Hur had extreme sets too (chariot race). Granted these are two of the most successful films of all time, but I am just saying that it can be done. The vast majority of newer, individual blockbuster films are CGI based and cost way more than the entire Lord of the Rings trilogy did (even if it was made 15 years ago).
Quality over convenience… but sadly I have no say in that.
@Tall:
Guys,
––The voice in the back of my head is reminding me that the bridge of the “Big E” was preserved and resides at the Naval Academy. At least there is something left of the Enterprise to inspire our future naval generations.
Tall Paul
I do not believe that is the case. It was intended for the ship’s tripod mast to reside there, but it never happened. http://en.wikipedia.org/wiki/USS_Enterprise_(CV-6)#The_end_of_the_.22Big_E.22
All that is left is the ship’s stern nameplate, ship’s bell and miscellaneous other artifacts.