@Jermofoot:
Sorry, Cobert, I should have said inconsistencies instead of plot holes.
For instance, in the book, the girl Lewellyn meets by the pool has a much bigger role. You also know who kills him (hint, it’s not Chigurh). The scene in the office building, there is not a second guy in there…just the guy behind the desk that Anton kills. The street battle involves a lot more people, not just Anton and Lewellyn. And you know exactly what happens with Carla Jean and Anton, and it’s not a decision by Anton (except for allowing her a coin flip).
The fate vs. circumstance thing is played heavily upon by the Coen brothers. I’m not sure Mccarthy was pushing that notion as much in the book, but I know the Coens concentrated on that theme.
Yes, Bell perceives things to be changing. Just like all people say that America is going in the toilet now. People always have said that, and always will. He just realizes that his job isn’t as honorable or good as he thought, and that it will just end up getting him killed. Especially with a unstoppable psychopath like Chigurh. Bell’s good intentions meant nothing when death was around the corner.
And speaking of that, many people have concluded that Chigurh not only represents death, he actually IS death. He’s unstoppable, ruthless, untiring, and always gets his man. Remember how he asks the one guy if he saw him? Or the kids after the accident? Anyone who didn’t “see” him lived. People always see death before they die. Bell never actually saw him, but Lewellyn did.
How does the girl play a bigger part in the book? In the movie, her sole purpose seems to be to begin a short bit of dialogue that further explores the fate theme:
“Whatcha looking for?”
“I’m lookin’ for what’s comin’.”
“Well you don’t know what’s comin’.”
Its implied in the movie that Chigurh doesnt kill Lewellyn. The Coen Brothers decision to leave out Carla Jeans coin toss can be taken as it being Chugurh’s choice and pushing for their theme of fate. More people in the street battle seems like it may have ruined it, that scene was definitely intense. Everyone I watched it with jumped when the lock shot off the door.
I guess I can buy the ‘Anton as death’ thing, it ties into my idea that Bell’s dream is about the only certainty in life is its end. Anton, representative of destiny and against free will, could very easily also represent death, the only thing certain in life.